PUBLISHED STORY: Sam Williams x Charles Stanley for The Telegraph

Bouncing back – how one entrepreneur learned the hard way

Last month, I was commissioned by The Telegraph to shoot a series of images for Charles Stanley’s “Britain’s entrepreneurs” reasons behind their most successful exits. Here are some images I shot of  “Sam Williams” in her home, for the full story please feel free to follow the link here

Assistant: Pim van Baalen

Words: Helena Pozniak


PUBLISHED STORY: Denise Nurse x Charles Stanley for The Telegraph

‘We had that lovely moment of being courted and found the perfect fit for a sale’

A couple of weeks ago, I was commissioned by The Telegraph to shoot a series of images for Charles Stanley’s “Britain’s entrepreneurs” reasons behind their most successful exits. Here are some images I shot of  “Denise Nurse” in her home, for the full story please feel free to follow the link here

Assistant: Pim van Baalen

Words: Helena Pozniak


PUBLISHED STORY: Pip Wilson x Charles Stanley for The Telegraph

‘My investment philosophy is simple – businesses must be viable but also solve a social issue’

A couple of weeks ago, I was commissioned by The Telegraph to shoot a series of images for Charles Stanley’s “Britain’s entrepreneurs” reasons behind their most successful exits. Here are some images I shot of  “Pip Wilson” in her home, for the full story please feel free to follow the link here

Assistant: Pim van Baalen

Words: Helena Pozniak


PUBLISHED STORY: Debbie Wosskow x Charles Stanley for The Telegraph

‘I made mistakes. You need someone at your elbow saying: don’t sign that, it’s not right’ As part of our series on Britain’s entrepreneurs, Debbie Wosskow reveals the reasons behind her most successful exits,

Last month, The Telegraph commissioned me to shoot a series of images for Charles Stanley’s “Britain’s entrepreneurs” reasons behind their most successful exits. The first published story was of “Debbie Wosskow” and was shot in her home in Maida Vale, for the full story please feel free to follow the link here

Assistant: @laraa_dunn
Words: Helena Pozniak



COMMISSIONED: INDIANA JONES AND THE DIAL OF DESTINY

In 2021, I shot some character portraits for Lucasfilm’s latest feature film “Indiana Jones and the Dial of Destiny” (2023) at Pinewood Studios, I worked on the project for 6 months and can finally share a selection of imagery that I shot in the studio. 

Some images were used for promotional material, as shown below. [CLICK HERE FOR FULL SERIES]

  



PUBLISHED STORY: ADWEEK - JULIA GOLDIN

Adweek, Julia Goldin. Lego - Brand Genius issue.

Last month my portrait of Julia Goldin, the CPO/CMO of LEGO was on the cover of Adweek for their Brand Genius, July Issue. [PRINT + ONLINE]. The image was shot at the Lego HQ, in London.


Words Brittaney Kiefer

Photography Hayley Benoit 

Commissioned Kacy Burdette

Assistant Pim Van Baalen 

Digital Operator Tom Green

Retouching Barry Hurley

Location LEGO HQ, London

For the full article click on the link here: https://www.adweek.com/brand-marketing/brand-genius-2023/


PUBLISHED STORY: NEW YORK TIMES - KING CHARLES IMPERSONATORS

Last week my portrait of King Charles Impersonators, Ian Lieber, left, and Charles Haslett was published on the front cover of The New York Times [Cover Story 29.03.23 PRINT + ONLINE] - “For Impersonators of a Prince, It’s Good to Finally be The King”

King Charles Impersonators, Ian Lieber, left, and Charles Haslett, for The New York Times [Cover Story 29.03.23 PRINT + ONLINE]

“For Impersonators of a Prince, It’s Good to Finally be The King” - Photography Hayley Benoit

King Charles Impersonators, Ian Lieber, left, and Charles Haslett, for The New York Times, Photography, Hayley Benoit

Words Jenny Gross 

Photography Hayley Benoit 

Commissioned Eve Edelheit

Assistant Pim Van Baalen 

Location Sunset Studios

For the full article click on the link here: https://www.nytimes.com/2023/03/28/world/europe/king-charles-look-alikes-impersonators.html


This site, contents and all images are copyright © Hayley Benoit. Images may not be downloaded, copied, used or published without permission.
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